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	<title>Crikey » CULTURE</title>
	
	<link>http://www.crikey.com.au</link>
	<description>now with extra source</description>
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		<title>Blues skies of human history: cross narratives in new DVD and book</title>
		<link>http://blogs.crikey.com.au/truthtotell/2013/05/17/multi-story-dwelling/</link>
		<comments>http://blogs.crikey.com.au/truthtotell/2013/05/17/multi-story-dwelling/#comments</comments>
		<pubDate>Fri, 17 May 2013 05:40:13 +0000</pubDate>
		<dc:creator>Truth to Tell</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371647</guid>
		
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		<slash:comments>0</slash:comments>
		<description>A new DVD and book tell stories about individuals. But in doing so, they unveil all our stories and highlight our reliance on narrative, writes James Rose.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Glenn Dyer’s TV ratings: House Rules needs more than a paint job</title>
		<link>http://www.crikey.com.au/2013/05/17/glenn-dyers-tv-ratings-house-rules-needs-more-than-a-paint-job/</link>
		<comments>http://www.crikey.com.au/2013/05/17/glenn-dyers-tv-ratings-house-rules-needs-more-than-a-paint-job/#comments</comments>
		<pubDate>Fri, 17 May 2013 02:45:29 +0000</pubDate>
		<dc:creator>Glenn Dyer</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Glenn Dyer's TV Ratings]]></category>
		<category><![CDATA[Paywall]]></category>
		<category><![CDATA[TV & Radio]]></category>
		<category><![CDATA[Channel Nine]]></category>
		<category><![CDATA[Channel Seven]]></category>
		<category><![CDATA[House Rules]]></category>
		<category><![CDATA[television ratings]]></category>
		<category><![CDATA[the block]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371354</guid>
		
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		<slash:comments>0</slash:comments>
		<description>Seven had hopes its new House Rules would upset The Block on Nine, but viewers just aren't drawn to it.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Emerging Writers Fest 2013: an interview with director Sam Twyford-Moore</title>
		<link>http://blogs.crikey.com.au/liticism/2013/05/17/emerging-writers-festival-2013-an-interview-with-director-sam-twyford-moore/</link>
		<comments>http://blogs.crikey.com.au/liticism/2013/05/17/emerging-writers-festival-2013-an-interview-with-director-sam-twyford-moore/#comments</comments>
		<pubDate>Fri, 17 May 2013 00:42:45 +0000</pubDate>
		<dc:creator>Liticism</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[emerging writers festival]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371456</guid>
		
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		<slash:comments>0</slash:comments>
		<description>The Emerging Writers Festival began as a one-day sine fair in 2004 and has progressed in leaps and bounds. Bethanie Blanchard talks with director Sam Twyford-Moore.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>What’s (also) wrong with the Left: Josh Bornstein on Helen Razer</title>
		<link>http://www.crikey.com.au/2013/05/17/whats-also-wrong-with-the-left-josh-bornstein-on-helen-razer/</link>
		<comments>http://www.crikey.com.au/2013/05/17/whats-also-wrong-with-the-left-josh-bornstein-on-helen-razer/#comments</comments>
		<pubDate>Fri, 17 May 2013 00:26:03 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[Paywall]]></category>
		<category><![CDATA[People & Ideas]]></category>
		<category><![CDATA[helen razer]]></category>
		<category><![CDATA[Josh Bornstein]]></category>
		<category><![CDATA[left wing]]></category>
		<category><![CDATA[Lindsay Tanner]]></category>
		<category><![CDATA[political ideology]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371376</guid>
		
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		<slash:comments>13</slash:comments>
		<description>Helen Razer would have all aspiring lefties undertake an education in Keynsian economics. But lawyer Josh Bornstein wonders, are modern-day Keynsians really leading the campaigns Razer would support?&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Theatre review: Forget Me Not — Belvoir St Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-forget-me-not-belvoir-st-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-forget-me-not-belvoir-st-theatre-sydney/#comments</comments>
		<pubDate>Fri, 17 May 2013 00:22:08 +0000</pubDate>
		<dc:creator>Stage</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371431</guid>
		
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		<slash:comments>0</slash:comments>
		<description>There’s an awkward, eloquent silence to Tom Holloway’s Forget Me Not. It’s one of the finest Belvoir St Theatre productions in quite some time, writes Lloyd Bradford Syke.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Parallax Podcast: Star Trek, Spring Breakers, Hitchcock, Jack Reacher &amp; more</title>
		<link>http://www.crikey.com.au/2013/05/17/parallax-podcast-star-trek-into-darkness-spring-breakers-hitchcock-jack-reacher-more/</link>
		<comments>http://www.crikey.com.au/2013/05/17/parallax-podcast-star-trek-into-darkness-spring-breakers-hitchcock-jack-reacher-more/#comments</comments>
		<pubDate>Thu, 16 May 2013 23:56:01 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[The Parallax Podcast]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371387</guid>
		
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		<slash:comments>0</slash:comments>
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		<description>What do Klingons, bikini babes, legendary film directors and Tom Cruise have in common? All feature in this week's The Parallax Podcast, from critics Luke Buckmaster and Rich Haridy.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>We already have a Great Gatsby — and it’s called Spring Breakers</title>
		<link>http://blogs.crikey.com.au/cinetology/2013/05/17/this-year-cinema-already-has-a-great-gatsby-and-its-called-springbreakers/</link>
		<comments>http://blogs.crikey.com.au/cinetology/2013/05/17/this-year-cinema-already-has-a-great-gatsby-and-its-called-springbreakers/#comments</comments>
		<pubDate>Thu, 16 May 2013 22:57:03 +0000</pubDate>
		<dc:creator>Cinetology</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[baz luhrmann]]></category>
		<category><![CDATA[film reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371388</guid>
		
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		<slash:comments>0</slash:comments>
		<description>At first blush, Harmony Korine's new film doesn't have much in common with The Great Gatsby. But under the bonnet, it may echo the themes of F. Scott Fitzgerald's seminal work more powerfully than Baz Luhrmamn's movie, writes Luke Buckmaster.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>DVD review: Raising the Curtain — the state of modern theatre</title>
		<link>http://blogs.crikey.com.au/truthtotell/2013/05/15/australia-by-stages/</link>
		<comments>http://blogs.crikey.com.au/truthtotell/2013/05/15/australia-by-stages/#comments</comments>
		<pubDate>Thu, 16 May 2013 06:23:54 +0000</pubDate>
		<dc:creator>Truth to Tell</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=371336</guid>
		
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		<slash:comments>0</slash:comments>
		<description>A new three part documentary about Australian theatre history tells a compelling tale and leaves questions about its current state, writes James Rose.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>REVIEW: Vanguard | Joan Sutherland Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-vanguard-joan-sutherland-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-vanguard-joan-sutherland-theatre-sydney/#comments</comments>
		<pubDate>Thu, 16 May 2013 05:18:57 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Stage]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/2013/05/16/review-vanguard-joan-sutherland-theatre-sydney/</guid>
		
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		<slash:comments>0</slash:comments>
		<description>The Australian Ballet's Vanguard showcases works from George Balanchine, Jiri Kylian and Wayne McGregor. And two great performances out of three 'aint bad.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>REVIEW: Dance of Death | Malthouse Theatre, Melbourne</title>
		<link>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-dance-of-death-malthouse-theatre-melbourne/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-dance-of-death-malthouse-theatre-melbourne/#comments</comments>
		<pubDate>Thu, 16 May 2013 04:57:38 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Stage]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/2013/05/16/review-dance-of-death-malthouse-theatre-melbourne/</guid>
		
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		<slash:comments>0</slash:comments>
		<description>Malthouse Theatre's Dance Of Death is hard to watch sometimes. But it has plenty to say -- profanely -- about society, love and the sanctity of marriage.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>REVIEW: Forget Me Not | Belvoir St Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-forget-me-not-belvoir-st-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-forget-me-not-belvoir-st-theatre-sydney/#comments</comments>
		<pubDate>Thu, 16 May 2013 04:41:25 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Stage]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/2013/05/16/review-forget-me-not-belvoir-st-theatre-sydney/</guid>
		
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		<slash:comments>0</slash:comments>
		<description>There's an awkward, eloquent silence to Tom Holloway's Forget Me Not. It's one of the finest Belvoir St Theatre productions in quite some time.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>REVIEW: A Tender Thing | Visy Theatre, Brisbane</title>
		<link>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-a-tender-thing-visy-theatre-brisbane/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2013/05/16/review-a-tender-thing-visy-theatre-brisbane/#comments</comments>
		<pubDate>Thu, 16 May 2013 04:33:02 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Stage]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/2013/05/16/review-a-tender-thing-visy-theatre-brisbane/</guid>
		
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		<slash:comments>0</slash:comments>
		<description>The Full Circle troupe brings the Royal Shakespeare Company's A Tender Thing to Brisbane. It's a deeply moving, emotionally and linguistically exhilarating ride.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Broadcasting and arts: boost for ABC, SBS and Conversation</title>
		<link>http://www.crikey.com.au/2013/05/15/broadcasting-and-arts-boost-for-abc-sbs-and-conversation/</link>
		<comments>http://www.crikey.com.au/2013/05/15/broadcasting-and-arts-boost-for-abc-sbs-and-conversation/#comments</comments>
		<pubDate>Wed, 15 May 2013 02:53:25 +0000</pubDate>
		<dc:creator>Matthew Knott</dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[Federal]]></category>
		<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Online]]></category>
		<category><![CDATA[Paywall]]></category>
		<category><![CDATA[The Arts]]></category>
		<category><![CDATA[TV & Radio]]></category>
		<category><![CDATA[2013 federal budget]]></category>
		<category><![CDATA[ABC]]></category>
		<category><![CDATA[arts funding]]></category>
		<category><![CDATA[SBS]]></category>
		<category><![CDATA[the conversation]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=370708</guid>
		
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		<slash:comments>2</slash:comments>
		<description>Crikey examines how media and culture organisations fared in this year's budget. The ABC and SBS are smiling -- and the ghost of Simon Crean lives on.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>The linguistic origins of ‘magic pudding’ economics</title>
		<link>http://blogs.crikey.com.au/fullysic/2013/05/15/magic-pudding-economics/</link>
		<comments>http://blogs.crikey.com.au/fullysic/2013/05/15/magic-pudding-economics/#comments</comments>
		<pubDate>Wed, 15 May 2013 01:47:43 +0000</pubDate>
		<dc:creator>Crikey blogs</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[2013 federal budget]]></category>
		<category><![CDATA[Joe Hockey]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=370861</guid>
		
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		<slash:comments>0</slash:comments>
		<description>Joe Hockey described the federal budget as a 'magical pudding', becoming the latest in a long line of politicians to use the metaphor. Piers Kelly explores its literary origins.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Cater’s ideological trip to Woy Woy, not a Mercedes in sight</title>
		<link>http://www.crikey.com.au/2013/05/14/caters-ideological-trip-to-woy-woy-not-a-mercedes-in-sight/</link>
		<comments>http://www.crikey.com.au/2013/05/14/caters-ideological-trip-to-woy-woy-not-a-mercedes-in-sight/#comments</comments>
		<pubDate>Tue, 14 May 2013 02:47:58 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Paywall]]></category>
		<category><![CDATA[People & Ideas]]></category>
		<category><![CDATA[Print]]></category>
		<category><![CDATA[Bill Leak]]></category>
		<category><![CDATA[HG Nelson]]></category>
		<category><![CDATA[Miranda Devine]]></category>
		<category><![CDATA[Nick Cater]]></category>
		<category><![CDATA[The Australian]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=370224</guid>
		
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		<slash:comments>16</slash:comments>
		<description>Nick Cater wanted to launch his new book with real people. So he went to Woy Woy, along with a cast of ideological warriors, to preach the good word. Mark Butler was there for Crikey.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Interview with Derek Cianfrance, director of The Place Beyond the Pines</title>
		<link>http://blogs.crikey.com.au/cinetology/2013/05/14/moments-that-happen-one-time-interview-with-derek-cianfrance-writerdirector-of-the-place-beyond-the-pines/</link>
		<comments>http://blogs.crikey.com.au/cinetology/2013/05/14/moments-that-happen-one-time-interview-with-derek-cianfrance-writerdirector-of-the-place-beyond-the-pines/#comments</comments>
		<pubDate>Mon, 13 May 2013 23:08:09 +0000</pubDate>
		<dc:creator>Cinetology</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Derek Cianfrance]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[Ryan Gosling]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=370219</guid>
		
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		<slash:comments>0</slash:comments>
		<description>Writer/director Derek Cianfrance's follow-up to his 2010 head turner Blue Valentine has guns, shoot-outs and Ryan Gosling -- but it's also a daring and unconventional work. He spoke with film critic Luke Buckmaster.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Trying and failing at Febfast: on Jill Stark’s High Sobriety</title>
		<link>http://blogs.crikey.com.au/liticism/2013/05/13/trying-and-failing-at-febfast-on-jill-stark%E2%80%99s-high-sobriety/</link>
		<comments>http://blogs.crikey.com.au/liticism/2013/05/13/trying-and-failing-at-febfast-on-jill-stark%E2%80%99s-high-sobriety/#comments</comments>
		<pubDate>Mon, 13 May 2013 05:14:11 +0000</pubDate>
		<dc:creator>Liticism</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[book reviews]]></category>
		<category><![CDATA[Jill Stark]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=370170</guid>
		
		<wfw:commentRss>http://blogs.crikey.com.au/liticism/2013/05/13/trying-and-failing-at-febfast-on-jill-stark%E2%80%99s-high-sobriety/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<description>After failing at Febfast, Stephanie Van Schilt decided -- after reading Jill Stark's High Society -- that she was all out of excuses. Van Schilt describes Stark's book and her relationship with "the demon drink."&lt;br/&gt;
&lt;br/&gt;
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		<item>
		<title>TV review: Rectify — meditative and beautiful</title>
		<link>http://blogs.crikey.com.au/wiresandlights/2013/05/12/rectify-review/</link>
		<comments>http://blogs.crikey.com.au/wiresandlights/2013/05/12/rectify-review/#comments</comments>
		<pubDate>Sun, 12 May 2013 23:17:42 +0000</pubDate>
		<dc:creator>Wire and Lights</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[TV reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=369973</guid>
		
		<wfw:commentRss>http://blogs.crikey.com.au/wiresandlights/2013/05/12/rectify-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<description>The first fully scripted series from Sundance Channel follows a death row inmate and his family after his release from prison. It's one of the best seldom-seen shows on TV, writes Laurence Barber.&lt;br/&gt;
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		<item>
		<title>Glenn Dyer’s TV ratings: The Checkout breaking new ground</title>
		<link>http://www.crikey.com.au/2013/05/10/glenn-dyers-tv-ratings-the-checkout-breaking-new-ground/</link>
		<comments>http://www.crikey.com.au/2013/05/10/glenn-dyers-tv-ratings-the-checkout-breaking-new-ground/#comments</comments>
		<pubDate>Fri, 10 May 2013 03:10:37 +0000</pubDate>
		<dc:creator>Glenn Dyer</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Glenn Dyer's TV Ratings]]></category>
		<category><![CDATA[Paywall]]></category>
		<category><![CDATA[TV & Radio]]></category>
		<category><![CDATA[ABC1]]></category>
		<category><![CDATA[Channel Nine]]></category>
		<category><![CDATA[Channel Seven]]></category>
		<category><![CDATA[Channel Ten]]></category>
		<category><![CDATA[television ratings]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=369552</guid>
		
		<wfw:commentRss>http://www.crikey.com.au/2013/05/10/glenn-dyers-tv-ratings-the-checkout-breaking-new-ground/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		<description>No programs topped the news last night, underlining what a dull night of TV it was.&lt;br/&gt;
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		<item>
		<title>Anna Krien opens up to Helen Garner on sex, sport and consent</title>
		<link>http://blogs.crikey.com.au/culture-mulcher/2013/05/08/anna-krien-sex-sport-and-consent/</link>
		<comments>http://blogs.crikey.com.au/culture-mulcher/2013/05/08/anna-krien-sex-sport-and-consent/#comments</comments>
		<pubDate>Thu, 09 May 2013 23:36:35 +0000</pubDate>
		<dc:creator>Culture Mulcher</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Anna Krien]]></category>
		<category><![CDATA[helen garner]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=369622</guid>
		
		<wfw:commentRss>http://blogs.crikey.com.au/culture-mulcher/2013/05/08/anna-krien-sex-sport-and-consent/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<description>“Dickwhipped,” grey zones and interpreting smiles. Anna Krien talked with Helen Garner about the issue of rape and consent in sport. W.H. Chong was there.&lt;br/&gt;
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Read more on the blog...</description></item>
		<item>
		<title>Movie review: The Place Beyond the Pines — narrative masterclass</title>
		<link>http://blogs.crikey.com.au/cinetology/2013/05/10/the-place-beyond-the-pines-movie-review-narrative-masterclass/</link>
		<comments>http://blogs.crikey.com.au/cinetology/2013/05/10/the-place-beyond-the-pines-movie-review-narrative-masterclass/#comments</comments>
		<pubDate>Thu, 09 May 2013 22:18:49 +0000</pubDate>
		<dc:creator>Cinetology</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[film reviews]]></category>
		<category><![CDATA[Ryan Gosling]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=369604</guid>
		
		<wfw:commentRss>http://blogs.crikey.com.au/cinetology/2013/05/10/the-place-beyond-the-pines-movie-review-narrative-masterclass/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<description>Writer/director Derek Cianfrance's follow-up to Blue Valentine is extraordinarily bold and compelling. It's one of the pedigree American films of 2013, writes Luke Buckmaster.&lt;br/&gt;
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		<item>
		<title>Theatre review: Frankenstein — Brisbane Arts Theatre</title>
		<link>http://blogs.crikey.com.au/curtaincall/2013/05/09/review-frankenstein-brisbane-arts-theatre/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2013/05/09/review-frankenstein-brisbane-arts-theatre/#comments</comments>
		<pubDate>Thu, 09 May 2013 05:16:51 +0000</pubDate>
		<dc:creator>Curtain Call</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/2013/05/09/review-frankenstein-brisbane-arts-theatre/</guid>
		
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		<slash:comments>0</slash:comments>
		<description>The Brisbane Arts Theatre revives Frankenstein in the best traditions of the Gothic horror tale. Brenna Lee-Cooney's take is an intense but colourful adaptation, writes Alison Cotes.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Why do governments favour road over rail?</title>
		<link>http://blogs.crikey.com.au/theurbanist/2013/05/09/why-do-governments-favour-road-over-rail-in-cities/</link>
		<comments>http://blogs.crikey.com.au/theurbanist/2013/05/09/why-do-governments-favour-road-over-rail-in-cities/#comments</comments>
		<pubDate>Thu, 09 May 2013 00:09:05 +0000</pubDate>
		<dc:creator>The Urbanist</dc:creator>
				<category><![CDATA[Food & Travel]]></category>
		<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=369300</guid>
		
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		<slash:comments>0</slash:comments>
		<description>The Victoria government has provided funding for a new freeway, but spurned a new rail line. It's important to understand why governments continue to prefer road over rail, writes Alan Davies.&lt;br/&gt;
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		<item>
		<title>Theatre review: A Clockwork Orange — York Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2013/05/09/review-a-clockwork-orange-york-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2013/05/09/review-a-clockwork-orange-york-theatre-sydney/#comments</comments>
		<pubDate>Wed, 08 May 2013 23:55:51 +0000</pubDate>
		<dc:creator>Curtain Call</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre review]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/2013/05/09/review-a-clockwork-orange-york-theatre-sydney-2/</guid>
		
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		<slash:comments>0</slash:comments>
		<description>An all-male production of Anthony Burgess' A Clockwork Orange offers a terrifying performance from Martin McCreadie. But its dance beat is too West Side Story for the brutality of the story, writes Ginny Maine.&lt;br/&gt;
&lt;br/&gt;
Read more on the blog...</description></item>
		<item>
		<title>Movie review: Star Trek Into Darkness — stunning blockbuster filmmaking</title>
		<link>http://blogs.crikey.com.au/cinetology/2013/05/09/star-trek-into-darkness-movie-review-long-live-the-lens-flare/</link>
		<comments>http://blogs.crikey.com.au/cinetology/2013/05/09/star-trek-into-darkness-movie-review-long-live-the-lens-flare/#comments</comments>
		<pubDate>Wed, 08 May 2013 22:19:59 +0000</pubDate>
		<dc:creator>Cinetology</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=369267</guid>
		
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		<slash:comments>0</slash:comments>
		<description>Star Trek Into Darkness is more than an elaborate dress rehearsal for director J.J. Abrams' next movie, Star Wars: Episode VII. It is a stunningly realised blockbuster, writes Luke Buckmaster.&lt;br/&gt;
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Read more on the blog...</description></item>
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